Hello my name is Aisha Farah (9129) and this my A2 media blog. I am in a group with Ray Baker 9031 and Sayo Ajoje 9182. To see my A2 Advanced portfolio, please click on the 3 labels on the right named A2 Research and Planning, A2 Construction and A2 Evaluation
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Showing posts with label AS homework. Show all posts
Showing posts with label AS homework. Show all posts
Thursday, 15 September 2016
HW 3a - Continuity task evaluation (BLK)
Continuity task evaluation
Explain the story of your video
1. In the continuity task
two characters were walking down a staircase having a conversation regarding
their class homework. The dialogue died down as they reached the bottom of the
stairs and at that point, character ‘A’ accidentally pushed character B as he
attempted to playfully touch her shoulder. This meant that she had a bad fall.
Whilst character A was making sure B was not injured, another character joins
the scene worried. As this occurs character ‘A’ panics and runs in the other
direction as a way to avoid responsibility for the issue
How
did you attempt to create 'narrative flow' (continuity?
2. We
attempted to create narrative flow (continuity) by having different camera
positions for example ELS, MLS and LS so that the audience wouldn’t see the
shot change as “jump cuts” since it wouldn’t look natural. The reason why this
would help the shots flow is because it would allow the audience to see what
was taking place from different angles. The audience would then understand
where everything was in relation to each other.
Did you achieve full continuity? If not, why not?
3. As a group we didn’t
achieve full continuity. An example of this would be at the end of the second
shot where you can see that character B falls and in the third shot you see her
falling a second time. This repetition reduced the idea of realism because the
audience would understand that, that was an error. Another way we didn’t reach
full continuity is through the failure of ‘match on action’ where the
characters did not repeat the full action and instead go straight
from where the last shot ended but not be in the correct position. So when the
audience would see this, the character wouldn’t have any momentum making it
appear very unrealistic.
In
hindsight, what would you do differently to improve the narrative flow of your
video and tell your story more effectively?
4. In hindsight to
improve the narrative flow, it would have been smarter to focus more on the
pre-production aspect, for example through storyboarding so that as a group we
could use it as a basis for discussion whilst simultaneously making it easier
to visualise the shots. Also going location scouting instead of blindly picking
a place with a staircase that was in one of the main school corridors as a lot
of interruptions were made.
HW 2c - Sound in film openings (DYM)
Romeo Juliet:
Romeo and Juliet 1996
Dialogue
Diegetic dialogue can be heard from 0.10 to
0.46 during the opening sequence from a television in a dark room, the
programme is some sort of news show where a lady talks about a situation and
its chaos to inform the people as well as to give the audience some context.
The camera slowly zooms in from an ‘ELS’ to a ‘CLU’ during this piece of
dialogue, when it finishes, the camera moves to the city in question. At 1.07
the dialogue starts again however from the voice of a narrator so it is
non-diegetic, it explains the news story with greater detail. The sequence ends
with an older man shouting in car in the city, it is not clear if this is
before the chaos or after.
Sound effects
Just before the TV turns on in the beginning
of the opening sequence we see the production company after a couple of seconds
to allow reading time, the TV statics and you see a name appear, soon after the
dialogue starts. Towards the end of the dialogue, it starts to get much louder
and just before the music starts playing you hear the sound of a missile in the
background suggesting strife, which relates to the dialogue. Whilst the second
piece of dialogue is playing at 1.07 you hear the sound of a helicopter then
see a helicopter flying, so it is diegetic. The sound of clashing instruments
is timed with the fireworks so maybe the director is creating this idea that
you can almost hear the fireworks too since there are a lot of sounds going on
(from the character sequence especially).
Music track
At 0.50, a loud old-fashioned, non-diegetic
opera song starts to play for dramatic effect. At the height of the song the
words “IN FAIR VERONA” come on the screen with a black background, at 1.06 the
music track fades but is still there. This mixture of sound is meant to panic
the audience. At 1.39 the music starts to build a crescendo and the characters
one by one appear with a freeze frame in their movement so we know exactly who
is who. The music has a very powerful opera singer with even more powerful
instruments. As this is happening the camera is cutting to different places in
the city, which creates this very chaotic, feel. This contrasts to the
establishing shots right after the words ‘in fair Verona’ was shown as it was
much more peaceful and bright with billboards. At the end of the sequence while
the man is shouting you get to hear music from the radio in the car also, so
there is never a quiet moment.
HW 2b - Analysis of titles in film openings (DYM)
11.23.63
This sequence starts with a very loud tune that is in sync with the image shown
and the text. When the tune gets louder, writing appears on the screen. It
immediately starts with the lead actors name being shown at 0.01 seconds.
Moving to supporting characters up until 0.18. The producer is then shown at
0.19 with crew maintenance and executive producers following. While this is
happening a lot of different types of shots and angles of objects are being
shown. There is red string in the sequence, which suggests that it is a crime
drama, the loud and intense music showcases this too. The final title placement
shown is the director and as it does the music gets louder then fades in the
next second with the film title appearing as it goes silent, suggesting
something very sudden and quick (which could be foreshadowing the film)
Deadpool
Comic images shown
till 0.09 seconds then the publishing company 'Marvel' is shown. Straight after
it goes black for 3 seconds and then leads on to cast members however instead
of actual names they are parody ones e.g. "hot chick" and "Gods
perfect idiot". In the background old 80s music is playing which creates
this nostalgic feeling for the audience. The entire title sequence is one shot
including frozen characters and objects in the air floating.
Comparisons
The difference
between 11.23.63 and Deadpool is that 11.23.63 placed much more significance on
their lead actors compared to Deadpool. In fact Deadpool did not contain any
actual legitimate names except for the publishing company. Even though Marvel
is a company it has just as much of a fan base, arguably even bigger than, a
lead actor. This may be because they were shying away from the typical film conventions
in attempt to be humorous and appeal to their niche market. 11.23.63 had a lot
of cuts from shot to shot however Deadpool had one continuous one with no cuts
at all creating this idea of how one thing leads to another. The aesthetics of
11.23.63 were much more monochromatic compared to Deadpool which had a lot of
bright colours.
HW 2a - Existing Opening Sequence analysis (DYM)
1. Identify the film and its genre
Legally Blonde - Teen Drama/Romantic Comedy
2. Identify where the story takes place and the time scale.
The story takes place at a sorority club in college set in America.
3. Summarise what happens in the sequence in chronological order. How significant to the story telling is the order of events.
In the sequence, some sort of letter/card is being transported through the campus to a girl called Elle Woods, it is assumed that she is the main character. As the letter progresses through the area we get to see more and more important characters for example the supporting cast. As this is happening we get to see Elle's morning routine and how everything is going to plan almost like the calm before the storm because at this point everything is going a bit too well. She then receives the letter and the audience get a hint of whats to come later since she reads the letter out loud.
4. Do events link to each other or are they distinct, unconnected events?
The events do link together as its all a continuos narrative flow of a letter being sent to its owner by hand
5. which characters are introduced and what are their roles in the film? how do we find this information out.
The main character is shown throughout the opening sequence however we do not see her face until the very last 25 seconds, this creates a feeling of suspense for the audience as they are anticipating this from the moment the film starts. Also, three characters got more screen time than the rest of the people shown which can only suggest that they are the supporting cast or somehow related to this Elle Woods Character. Finally the love interest is shown at the end of the sequence through a picture where the main character glances towards it very lovingly, also the dialogue at the end further proves that the man is significant to the plot line.
6. How much story information is revealed and how is it revealed to the audience? what is deliberately withheld?
Not a lot of information is revealed to the audience, all that is received is a lot of establishing shots to set the scene of the campus and one main sorority. We do hear a bit of whats to come through the reading of the letter but we aren't given a lot of detail which helps keep the audience on their toes
7. What do you think the audience needs to know at the start of your film? explain your answer.
The opening sequence should allow the audience to get a feel of the film. This should directly correlate to its genre, it can be done through music choice which will hopefully set the tone of the film. for example a horror film should have very low music that isn't upbeat like pop music. The opening sequence should have shots of the setting so the audience can fully understand where it is set so they know the protocol the characters should "follow". Also it should introduce the audience directly or indirectly to the main character.
HW 1b - Reflections on my film still (BLK)
1. The film still could be described as something that is very eerie and mysterious, the genre that this fits well in would be Horror/Thriller. As it is a genre which aims to create dread and panic for the audience done through unsettling images, which could be a portrayal of the audiences worst fear.
2. I knew that having the victim in a small and compact place would emphasise the vulnerability of the character so there is a sense of sympathy for her. The actor is looking down to the floor clutching her knees, showing this very timid and innocent side. Since the frame is centred on whats underneath the table it is very dark. However, the light directly shines on the actor with a surrounding darkness conveying to the audience that she is the focus of the still. The lighting in the corner is very streaky, showing the audience that a door has been opened. This suggests that there is something out there that she may be hiding from.
3. The actor is looking away almost as though she is scared of whats to come creating a very tense atmosphere. I intended for the audience to understand the cold dark empty feeling that was apparent in the film still (and almost every horror film) The high angle creates the impression that there is 'something' looking down on her, something that is much more important. This tells the audience that the actor is very weak and helpless.
4. The things that i found were successful in the shot is the amount feeling that you can obtain from it all for example the framing. we used a close up which made it much more intimate, the lighting which accentuated the macabre atmosphere due to the darkness. And of course the acting
5. In hindsight I think if more time was available a better setting would of been found and we wouldn't of needed to limit ourselves to just close up shots because of surrounding furniture (like the tables that are visible in the shot) which would have taken away the effect.
HW 1a - Existing film still analysis (DYM)
Narrative
The characters in the film still are all wearing ancient clothing (mostly cloth) which suggests that it is a primitive time. This tells us that they are very in tune with nature and the true human instincts that are very animalistic and violent, hence the sword directed at the level of the camera almost as if its coming into contact with the audience almost breaking the fourth wall. The still is focused on the man who is holding the sword which suggests that everyone behind him are supporting characters with less power. In the shot there is one female amongst a lot of men which tells us that there is an imbalance of gender equality.
Genre
The violence of the shot and the abundance of weapons that you can see tells the audience that this is an action packed war film. There is this feeling of anxiousness when you see the still which tells us that there maybe a lot of suspense in it. Gerald Butler has a very mean expression in the film still which also reinforces the idea of a war film.
Audience
Typically males are the prime audience target for action war type films as they contain things that are stereotypically "masculine". The majority of characters in an action film are also male as you can also see from the film still, so this would attract a male audience also. Females maybe drawn to the film through superficial means such as looks or maybe because of the actors involved, Gerald Butler is quite famous and has his own fan base.
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